“Your life’s about to change now, so don’t get left behind!”
Truer words couldn’t have been spoken with regard to Leatherhead Operatic Societies (LOS) adaptation of Charlie and the Chocolate Factory at The Epsom Playhouse. Hilarious and heartwarming, this show truly has it all. Having read the book, and seen the film adaptations, many times, I was curious to see how LOS would adapt this magical story for stage to suit a live audience, and we were not disappointed.
One of the most delightful twists in this production is that Charlie Bucket is played by a girl – the immensely talented Elkarose Curry. A decision that deviates from the original book proves inspired, as Curry’s heartfelt performance brings a fresh perspective to the character. From the very start, she was in complete command of the stage and was both vocally and artistically incredible throughout. Being the only child actor surrounded by a cast of adults is intimidating, but she completely held her own. I’m sure there were many young girls in the audience connecting themselves closely with her character.
Another phenomenal highlight from the show is Akhil Gowrinath as Willy Wonka, who gives a deliciously mad performance as the eccentric, unpredictable chocolatier. His rich vocals in “Pure Imagination” transported the audience into the magical world of the factory, and his playful yet mysterious demeanor was a joy to watch.
Ellie-Claire King delivered a tender performance as Mrs. Bucket, and her emotional depth in “If Your Father Were Here” moved many. The trio of grandparents—Karen Paterson as Grandma Josephine, Jo Pandolfi as Grandma Georgina, and Nicholas Cross as Grandpa George—added plenty of laughter with their comedic timing and charm. Michael Lock’s Grandpa Joe was brimming with warmth and wit, providing both humor and poignant emotion.
The Golden Ticket winners were brought to life with great flair. David Harries-Rees and Mandy Harris were a hilarious pair as Augustus Gloop and Mrs. Gloop, with their duet, “More of him to love” leaving the audience in stitches. Aimee Hartnett-Riddle’s Veruca Salt was delightfully bratty, and her “When Veruca says” perfectly captured the character’s spoiled nature. Millie Jane Franks dazzled as the Queen of pop Violet Beauregarde, delivering a powerhouse performance of “The Queen of pop!” that showcased her vocal range perfectly. Jacob Ogle and Claire Aston had the audience in fits as Mike Teavee and Mrs. Teavee, with their quirky Mother & Son chemistry in “That little man of mine.” Tom Paine’s Mr. Beauregarde and Oskar Brown’s Mr. Salt were equally impressive, adding depth to their roles while balancing humor and fatherly exasperation.
A special mention must also go to Philippa Stone as Mrs. Green who had the audience laughing with every line delivered. Stone’s engaging stage presence ensured that Mrs. Green left a lasting impression. As well as the newsreader characters, Jerry (Joe Black) and Cherry (Molly Haynes) who brought humor and energy to the production.
Sarah Marr’s choreography was nothing short of extraordinary, adding vibrancy and energy to every scene. The creative use of mini Oompa Loompa suits was a stroke of genius, blending humor with precision as the performers executed their routines flawlessly. The giant squirrels were another standout moment, their synchronised movements perfectly capturing the quirky chaos of the nut-sorting room.
Under the expert guidance of Musical director Sam Fisher, the band delivered a performance that elevated the entire show. From the whimsical charm of “Pure Imagination” to the energetic beats of the Oompa Loompa songs, the musicians provided the perfect accompaniment, enhancing the emotional depth and excitement of every scene. Their exceptional talent did not go unnoticed and had the audience clapping along on more than one occasion.
No production can shine without the brilliance of it’s backstage crew, and the team from SWAT deserve a standing ovation of their own. Under Stage Manager Sarah Wood, and ASMs Ethan Woolsgrove and Rob Gow, the scene changes were impressively slick, ensuring the pace never faltered as the audience was whisked from the Bucket family’s humble home to the magical wonders of Willy Wonka’s factory. The lighting design by Richard Pike from THB Lighting was spectacular, enhancing every moment—from the warm glow of family scenes to the dazzling, candy-coloured brilliance of the factory. The crew’s attention to detail and seamless execution added an extra layer of professionalism to an already outstanding show, making the magic truly come alive.
Even the best productions can face unexpected hiccups. During the show, a brief technical issue required the show to pause. However, the professionalism and composure of the cast and crew turned this moment into a testament to their dedication. The situation was handled with efficiency and grace, and the audience was soon swept back into the magical world as if nothing had happened. Their quick recovery ensured the momentum of the performance remained intact, showcasing the resilience and teamwork that underpin such a successful production.
A huge congratulations to Director John Harries – Rees for bringing this magical show to life. LOS have truly outdone themselves with this production. Every cast member brought something unique to the stage, and the collective talent on stage was simply phenomenal. This is amateur dramatics at its absolute best, and the audience’s reaction at the end was richly deserved.
Charlie and the Chocolate Factory at The Epsom Playhouse is an unmissable treat for the whole family. Running until Saturday 23rd November with VERY limited tickets. Catch it while you can—this golden ticket show is worth every moment!
